Steakhouse,designed and built.

Concept 00 CHAR.

The brief,as we set it.

A steakhouse that sells the fire and the butchery, not the white tablecloth.
A ninety-cover steakhouse in Ancoats with its own dry-ageing room, a reputation built on word of mouth, and most of its bookings taken by phone at the wrong hour. The site has to take the booking itself, put the menu one tap from the front door, and make the case for a £38 rib-eye before anyone reaches the price.
Sector
Steakhouse
Shows
Table bookingOwn type & paletteInteractive butcher's chart
Status
Fictional briefNo client askedNot live anywhere
CHARSteak & fire · Ancoats

Beef, fire and
nothing in between.

Fore rib · rib-eye 350g £38Dry-aged 35 days
Fig. 01
The cover: the butcher's chart with the fore rib lit, in CHAR's own type and colour.Drawn

Four decisions,read off the page.

The site is running in the frame. Scroll, and it moves to whatever the note beside it is about.
01

The booking is on the first screen

Date, time and guests sit under the fire, not on a contact page three clicks in. Ember, the brightest colour on the site, is spent on booking and on nothing else, so on every screen the most visible thing is how to get a table.

02

The menu is the animal

A butcher's chart you can point at. Each cut says what the kitchen serves from it, by weight and price, and one line on why. A steakhouse that explains its butchery has sold the rib-eye before the price arrives.

03

Set like a menu, not linked like one

Four columns, dotted leaders, prices aligned in brass, descriptions in italic: the menu as it would be printed for the table. A PDF link is where menus go to be ignored.

04

Private dining, drawn as a plan

The Salt Room as a seating plan: one table, fourteen places, the dry-ageing cabinet along the wall and candles that flicker. It answers the two questions people ask before they enquire: how many, and what is it like.

The concept, running at 1440pxScroll moves it

Its own type,its own colours.

Nothing on the concept uses our fonts or our palette. A concept dressed in the studio's colours is the studio's site with the words changed.
Fig. 02
The type, set in the brand's own face.Specimen
Fig. 03
The same markup at 390px. Not a mobile mockup.Live
Fig. 04
The palette, each band as wide as its share of the page. The accent is spent only on actions.#120F0D · #1C1714 · #EFE6D8 · #4A1714 · #C9A46C · #E0612A
Display

Big Shoulders: condensed, variable, set in capitals

Text

Newsreader: a serif with a real italic, for the menu

Corners

Square throughout

Imagery

Drawn: the fire, the steak, the chart and the room

Motion

Sparks off the coals, the coals breathing, the candles

Want thisfor your trade?

Tell us the sector and what a visitor is meant to do when they land. We will tell you what the page would have to be.

Let us buildthe whole thing.

Write to ushello@svennis.co.uk

The website, and everything behind it: CRM, integrations and web apps. Zoho Premium Partner, working since 2011 from Manchester, Cluj-Napoca and Satu Mare. Select Partner in the Claude Partner Network, with 10 Claude Certified Architects.

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